Soulive Steady Groovin Rar Files
- 2-08-2019, 17:45
- 2019 Classical Music FLAC / APE HD & Vinyl
Mkvtools mac serial lookup. Listen to Steady Groovin'by Soulive on Slacker Radio, where you can also create personalized internet radio stations based on your favorite albums, artists and songs.
Artist: Sonora Slocum & John Wilson
Title: Return
Year Of Release: 2019
Label: Affetto Recordings
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 54:55
Total Size: 226 MB / 1.02 GB
WebSite: Album Preview
Tracklist:Title: Return
Year Of Release: 2019
Label: Affetto Recordings
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 54:55
Total Size: 226 MB / 1.02 GB
WebSite: Album Preview
1 Canozone for Flute & Piano, Op. 38a 03:48
2 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): I. Chants populaires tristes 04:59
3 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): II. Scherzo 00:49
4 Suite paysanne hongroise, Sz. 71 (Arr. P. Arma for Flute & Piano): III. Vieilles danses 06:34
5 I. Flowing 05:58
6 Duo for Flute & Piano: II. Poetic, Somewhat Mournful 05:16
7 III. Lively, With Bounce 03:27
8 Nocturne in C-Sharp Minor, Op. Posth., B. 49 'Reminiscence' (Arr. for Flute & Piano) 04:35
9 Fantaisie 08:00
10 Ballade for Flute & Piano 07:50
11 Syrinx, L. 129 03:39
Sonora Slocum was appointed Principal Flute of the Milwaukee Symphony Orchestra in 2012 at the age of 22 and has performed with orchestras around the country including guest principal flute with the Chicago Symphony Orchestra and the Orpheus Chamber Orchestra. She has appeared with the Philadelphia Orchestra on flute and piccolo. Her collaborations as guest principal include touring and audio recordings with the Orpheus Chamber Orchestra as well as visual recordings with the Philharmonia Orchestra of New York at Lincoln Center. Slocum has worked under such renowned conductors as Charles Dutoit, Christoph Eschenbach, Rafael Fruhbeck de Burgos, Sir Simon Rattle, Edo de Waart, Otto-Werner Mueller, John Williams, and David Zinman, among many others. A recent review stated that Slocum has a HUGE sound..and a wizards bag resplendent with technical prowess and musical freshness. The conception of this debut album, Return, stemmed from Slocums interest in astrology and reflected on this period of her life; her first Saturn Return. The tracks on this album represent both pivotal repertoire for flutists and some of the most technically demanding.
Sonora Slocum, flute
John Wilson, piano
Sonora Slocum, flute
John Wilson, piano
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Sonora Slocum - Return Hi-Res.rar - 1.0 GB
Sonora Slocum - Return FLAC.rar - 226.0 MB
Sonora Slocum - Return Hi-Res.rar - 1.0 GB
Sonora Slocum - Return FLAC.rar - 226.0 MB
Artist: VA
Title: Opus de Funk: The Jazz Giants Play Horace Silver
Year Of Release: 1997
Label: Prestige[PRCD-24192-2]
Genre: Jazz, Bop, Cool
Quality: FLAC (tracks + .cue,log)
Total Time: 75:38
Total Size: 439 MB(+3%)
WebSite: Album Preview
Title: Opus de Funk: The Jazz Giants Play Horace Silver
Year Of Release: 1997
Label: Prestige[PRCD-24192-2]
Genre: Jazz, Bop, Cool
Quality: FLAC (tracks + .cue,log)
Total Time: 75:38
Total Size: 439 MB(+3%)
WebSite: Album Preview
Tracklist
01. Phineas Newborn, Jr. - Cookin' at the Continental (3:09)
02. Milt Jackson - Buhaina (4:35)
03. Wes Montgomery - Ecaroh (2:58)
04. Eddie Jefferson - Filthy McNasty (3:32)
05. Art Pepper - Opus de Funk (3:14)
06. Ray Brown - Sister Sadie (4:58)
07. Tommy Flanagan - Peace (6:16)
08. Vince Guaraldi & Bola Sete - Moon Rays (7:03)
09. Richard 'Groove' Holmes - Song for My Father (6:11)
10. Eddie Jefferson - Psychedelic Sally (2:51)
11. Barney Kessel, Shelly Manne, Ray Brown - Doodlin' (3:32)
12. Shirley Scott - Senor Blues (4:14)
13. Blue Mitchell - Nica's Dream (6:35)
14. Jack McDuff - Strollin' (6:16)
15. Eddie Jefferson - The Preacher (4:49)
16. Shirley Scott - The Preacher (5:25)
Now here is a really enterprising subject for a songbook album -- a composer who was not a Tin Pan Alley pop craftsman and whose output had not been anthologized until this release. True, Silver wrote fewer standards than, say, Porter or the Gershwins, and fewer jazz artists covered them, thus limiting Fantasy's choices (the zany Eddie Jefferson is heard on three of the 16 tracks, and his rendition of 'The Preacher' is followed by another from Shirley Scott). Yet this collection gives ample and valuable evidence of how underregarded Silver has been as a composer. Working within a hard bop context garnished with gospel and the blues, Silver's tunes often achieve a winning combination of sophistication and earthiness, and they serve as fine launching pads for bop, soul, and even Latin-oriented players. Besides variations of the well-known 'Senor Blues,' 'Song for My Father,' and 'Sister Sadie,' there are also sleepers like the haunting bossa nova-styled 'Moon Rays' of Vince Guaraldi and Bola Sete, and the easy-strutting 'Doodlin' by the Barney Kessel/Ray Brown/Shelly Manne trio (both in their CD debuts). A plethora of soulful musicians from the Prestige, Riverside, Contemporary, Fantasy, and Galaxy archives lead the sessions, including Phineas Newborn, Wes Montgomery, Milt Jackson, Art Pepper, Tommy Flanagan, Richard 'Groove' Holmes, Blue Mitchell, and Jack McDuff, along with those mentioned before. Silver himself is to be found on only one track, backing Jackson on 'Buhaina' -- and that's understandable, given his long-standing ties to Blue Note through the time span of this anthology. But this contractual quirk actually makes the collection even more of a significant tribute, showcasing a body of work that may prove to be as durable as that of the other great composer/pianist from this period, Thelonious Monk.~Richard S. Ginell
01. Phineas Newborn, Jr. - Cookin' at the Continental (3:09)
02. Milt Jackson - Buhaina (4:35)
03. Wes Montgomery - Ecaroh (2:58)
04. Eddie Jefferson - Filthy McNasty (3:32)
05. Art Pepper - Opus de Funk (3:14)
06. Ray Brown - Sister Sadie (4:58)
07. Tommy Flanagan - Peace (6:16)
08. Vince Guaraldi & Bola Sete - Moon Rays (7:03)
09. Richard 'Groove' Holmes - Song for My Father (6:11)
10. Eddie Jefferson - Psychedelic Sally (2:51)
11. Barney Kessel, Shelly Manne, Ray Brown - Doodlin' (3:32)
12. Shirley Scott - Senor Blues (4:14)
13. Blue Mitchell - Nica's Dream (6:35)
14. Jack McDuff - Strollin' (6:16)
15. Eddie Jefferson - The Preacher (4:49)
16. Shirley Scott - The Preacher (5:25)
Now here is a really enterprising subject for a songbook album -- a composer who was not a Tin Pan Alley pop craftsman and whose output had not been anthologized until this release. True, Silver wrote fewer standards than, say, Porter or the Gershwins, and fewer jazz artists covered them, thus limiting Fantasy's choices (the zany Eddie Jefferson is heard on three of the 16 tracks, and his rendition of 'The Preacher' is followed by another from Shirley Scott). Yet this collection gives ample and valuable evidence of how underregarded Silver has been as a composer. Working within a hard bop context garnished with gospel and the blues, Silver's tunes often achieve a winning combination of sophistication and earthiness, and they serve as fine launching pads for bop, soul, and even Latin-oriented players. Besides variations of the well-known 'Senor Blues,' 'Song for My Father,' and 'Sister Sadie,' there are also sleepers like the haunting bossa nova-styled 'Moon Rays' of Vince Guaraldi and Bola Sete, and the easy-strutting 'Doodlin' by the Barney Kessel/Ray Brown/Shelly Manne trio (both in their CD debuts). A plethora of soulful musicians from the Prestige, Riverside, Contemporary, Fantasy, and Galaxy archives lead the sessions, including Phineas Newborn, Wes Montgomery, Milt Jackson, Art Pepper, Tommy Flanagan, Richard 'Groove' Holmes, Blue Mitchell, and Jack McDuff, along with those mentioned before. Silver himself is to be found on only one track, backing Jackson on 'Buhaina' -- and that's understandable, given his long-standing ties to Blue Note through the time span of this anthology. But this contractual quirk actually makes the collection even more of a significant tribute, showcasing a body of work that may prove to be as durable as that of the other great composer/pianist from this period, Thelonious Monk.~Richard S. Ginell
